Tuesday, 11 January 2011

Week 9 ITAP - Essential Milestones in Graphics Production

The history of print and graphics production is littered with hundreds of developments.  From these, I will discuss 10 developments which are either considered important from a historical perspective or which have aided me personally in my work.


  1. The Gutenberg Press.  In the mid 15th century, Johann Gutenberg developed the flat bed printing press which transferred ink from an inked surface to media such as paper and cloth.  He utilized his skills as a gold smith to engrave blocks of moveable type from a metal alloy which were much longer lasting than the clay or wooden blocks previously seen.  This allowed for the first mass production of print and effectively turned printing into a viable business.  In turn the mass production of printed articles led to the spread of ideas across the whole of Europe.
  2. The Koening Press - At the height of the industrial revolution, it was the goal of innovators to remove human effort from as many manual processes as possible. So it was with printing.  Friederich Koening invented the first steam powered press which did not manpower to operate it.  The effect was to dramatically increase output and efficiency.
  3. Rotary Printing Press -  Richard  Hoe was the first to conceive the idea of using a rotating cylinder to transfer print to paper.  This in conjunction with continuous feed of paper and steam power meant that output could easily in order of millions of copies per day.
  4. Lithography - Invented by Aloys Senefelder in 1796, lithography is a method of transferring an image onto a smooth surface.  It was significantly different to previous printing methods as it is essentially a chemical process which depends on a hydrophobic, oil based ink adhering to the surface to create positive image and water to wash the negative image away.  The printing plate was also flat  which allowed for significantly longer print runs and did not require engraving as with previous methods.  High volumes lithography is still used today to produce posters, maps, books, newspaper and packaging.
  5. The Home Computer - The home computer whether it is PC or Mac has changed our lives completely.  The has brought the ability to produce and print graphics to millions across the world and with support of various softwares, anyone can now print their work for any audience whatsoever.
  6. Computer to Plate - Technology - This had the greatest effect on lithographic printing where the most expensive and onerous task was to produce the printing plates for the job which was similar to producing contact proofs in a photography darkroom.  The benefit is that the image on the computer can be output directly to a printing plate.  This dramatically improved print quality, losses caused by scratches in the film and significantly increased sharpness and detail.
  7. Adobe Photoshop - This software has now become the " must know" software for almost any graphics/ photography producer.  It's abilities now appear endless.  One can simply adjust photos for minor errors to creating whole artworks from scratch.  
  8. Ink Jet Printing - Bringing the task of printing high quality materials in the home or studio is now possible for everyone.  Huge advances have been made in ink jet printing which now allow visual communicators to output their work to a commercial, sellable quality.  Desktop inkjet printers such as my own Epson 2880 with its eight colour ink system can produce an immense colour gamut to make almost any print job possible.
  9. Pigment Based Inkjet Inks - Until recently most inkjet printers were based on dye based colourants.  These were quite simple to make as the dyes were simply dissolved in solvent or water and filtered. However, the light fastness of these inks was unacceptable for the production of original artworks for commercial sale.  However, the improvement in pigment technology now means that ultrafine pigments can be produced which will not block inkjet nozzles.  Synthetic pigments which are now used now have such a high light fastness that most printed works can be guaranteed for up to 200 years in ambient light conditions.  This has now means that it is now affordable for most professional artists to output their own work avoiding expensive printing costs.
  10. Ink Jet Papers and Canvases- As well as the ink, their is now a wide range of ink jet papers and canvases which now  support pigment based inks.  Whilst printer manufacturers offer their own brand papers, independent producers such as Hahnemuhle offer a  range of matt, gloss and semi gloss papers and canvases with a wide range of textures.  This in conjunction with the pigment based inks has been the backbone of the art reproduction industry.  Almost any reproduction you buy now has been produced in this way.


Monday, 10 January 2011

ITAP Week 8 - Photography

During this lecture, one of the themes discussed was how photos of less touristic areas of cities may in fact tell you something more about the place compared to conventional postcard type photos.  These photos may be of posters, billboards, paintings and even graffiti.

For example, in London you can travel around on the tube or by foot and be surrounded by posters and advertisements for theatre shows, exhibitions and concerts etc.  What does this tell you about London?  The  first thought which comes to mind is that London is a very cultural place with lots of attractions to enjoy.

By contrast, I went back to my hometown of Chihuahua in Mexico at Christmas time.  For a city of its size, there is a very strong artistic movement which can include older, established artists (whose reputation and connections can get them access to the most upmarket exhibition galleries) and young, up and coming artists who are not from a privileged backgrounds who have to publicise themselves in other ways or use other means of expressing themselves.  This is commonly through graffiti (or urban art if you like) some of which I photographed during my stay:






As well as being works of art in themselves, these paintings are in fact social commentaries about local and national society reflecting on hopelessness of the young, history and decline of moral values.  Therefore, these images are giving a stronger message about the locality than any postcard photo will ever do.

The lecture also discussed how text can totally change an image.  Where it is a portrait, text can change our view of that person.  It occurred to me that the prison mug shot photos were the most striking example of this.  If you then take prison mugshots of celebrities, I think the effect is even greater because we assume so much knowledge of that person due to their fame.

I have found some examples of celebrity prison mugshots to show the point.




Possibly with the exception of the Michael Jackson photo, if you put your hand across the prisoner number on the top two photos, they look like conventional snapshots. If you now remove your hand, don't you now feel differently about the photo and the person. A little less sympathetic maybe?



Sunday, 9 January 2011

Week 7 ITAP - Creative Environment & Developing Ideational Fluency

Creative Environment

In considering both of these principles, I believe that the two are in fact related and can influence each other. Whilst doing my research, I was drawn to the famous Google offices in Zurich.  These offices were in fact designed by consultants specializing in architectural psychology with the brief to create an environment which was functional but also allowed "creatives" to find space to function in isolation but also to interact as a team member.  Some images are given below.




As you can see there are different types of working spaces where one can work alone or engage in activities with colleagues.  In my view the latter can assist in brainstorming with others which can lead to significant idea generation.  Also from my own experience I have found that when ideas are coming slowly it is best to take a break and do something completely unrelated and to return to the task with a fresh mind.  These work spaces could also serve this purpose too.

Of course my own workspace at home is not so grand but I am an avid collector of relevant magazine articles, art exhibition catalogues and leaflets etc which I keep as a source of reference and inspiration for my work.  

There is also a cultural aspect to my workspace which is derived my native Mexico.  Since the time of my Foundation Course last year, I have a renewed appreciation of the art and culture of the ancient civilizations of my country and also modern/ contemporary Mexican artists.  As a result, I have been collecting books, photos, catalogues and artifacts from Mexico which also now surround my workspace.  Living here in the UK, I have found that this Mexican cultural influence has given a different dimension to my work.

Developing Ideational Fluency

The lecture touched upon three aspects of developing an ideational fluency.  These were classification, brainstorming and mind mapping.  Possibly I didn't realize at the time but I now recognize that I utilized these methods during the production of FMP for my Foundation Course.  The FMP was an illustration project called "Decay of an Empire" which consisted of ten illustrations depicting the collapse and decay of the wonderful Aztec civilization following the arrival of the Spanish and making a link to contemporary problems of Mexico.

In the planning of the project I wanted to introduce elements of decay using dental decay as a metaphor which was influenced by previous career in Mexico as a dentist.  This was coupled with more factual representations of Aztec and post-conquistador Mexico.  In this way the ideas were classified.

Trying to condense the history of my native country and at the same time generate images which provoked questions required considerable brainstorming with friends, relatives and fellow students.  This generated my pool of ideas.

From this pool, I had to organize and select which ones I was going to follow.  For this, I found mind-mapping a useful tool which allowed me to bring my ideas to a coherent series of story board illustrations. In case you are interested some of the images from this project are given below.